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Showing posts with label Queen Elizabeth. Show all posts
Showing posts with label Queen Elizabeth. Show all posts

Cunard's old-school travel continues tradition on Queen Elizabeth

Wednesday, January 26, 2011 0 Comments
Queen Elizabeth

The Queen Elizabeth 'maiden world voyage' from start to finish was filled with Cunard tradition, including formal dining, lectures, extensive libraries and fireworks.

I'm standing in front of the mirror in our stateroom, looking over my wife's shoulder and tying my black bow tie. It is our first sea day and the first of three formal nights on our leisurely eight-night early January crossing on Cunard Line's spanking-new Queen Elizabeth, on the way to New York from Southampton,England. The cummerbund is belted on, the studs are securely in place on shirtfront, but I've saved the neck knot for last, reminding myself of how my father first taught me how to do this on another transatlantic trip a half a century ago.

Black-tie affairs may be waning on other ships, but not on Cunard vessels, which, if anything, have become slightly more formal in recent years. How like Cunard to flout a trend. That charming defiance stems partly from Cunard's transatlantic mission, which dates to 1840, the year Samuel Cunard began sailing his ships across the Atlantic.

Our trip is the first leg of Queen Elizabeth's "maiden world voyage" and its first trip to New York, on the route once so busy with ships of many nations that it was called the "Atlantic Ferry." Scattered throughout the Elizabeth are paintings of the current and former fleet, photos of famous Cunard passengers, ship models and artifacts of all kinds. History and tradition are our constant companions.


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The festivities as we left Southampton were brilliant, as the Brits (who dominated this crossing, 1,357 out of the total of 1,893 passengers) are fond of saying. After fireworks illuminated the foggy, rainy sky, Queen Elizabeth slid slowly by sister Queen Victoria, close enough you might have flung a baseball from deck to deck. Both ships' whistles sounded again and again in a spine-tingling mutual salute. We passengers waved from balconies and decks, and when the whistling stopped, cheers from both Queens echoed across the water.

The Queen Victoria would shadow us across the Atlantic, moving away only when the fog rolled in or the seas became seriously rough. Almost exactly three years earlier, my wife, Laurel, and I had made the same crossing, that time aboard the then-new Victoria, accompanied by the iconic Queen Elizabeth 2, on the verge of retirement.

Sailing with us then and now were a clutch of friends, Cunard devotees. Naturally we and others compared the sister ships, more similar than different, though the Elizabeth's décor emulates the Art Deco aesthetic of the first Queen Mary and Queen Elizabeth, and the Victoria's décor is, not surprisingly, Victorian. For me the Elizabeth's highlight is a 19-foot-tall marquetry panel above the sweeping staircase in the Grand Lobby. It depicts the first Queen Elizabeth ship, with inlays of nine rare woods typical of use aboard the original ship.

"Cunard," Bill Miller told me when we chatted in the ship's glass-domed Garden Lounge, "is for people who like old-school travel." Miller, whose moniker is "Mr. Ocean Liner" and who has made about 400 voyages on many lines, was one of five lecturers on our crossing, and these lectures (three or four most days) are a Cunard hallmark. Others speakers included Terry Waite, the former hostage negotiator and later hostage, and Ted Scull, a maritime expert like Miller but who on this crossing provided an introduction to New York City for the British passengers.

"Cunard is the most cerebral cruise line," Miller said. "Its lecture programs are among the most enriching on the high seas, and it has the biggest libraries." On the Victoria and Elizabeth they're two decks tall, connected by a spiral staircase. The Queen Elizabeth, still building its collection, now shelves 6,000 books; the Victoria has 8,000, and the Queen Mary 2, 10,000.

"During the day you see more people carrying books than on any other line," Miller said, "and at night more tuxedos and war medals. The Brits love those." The QM2 also has a planetarium.

I asked Scull's opinion on two sometimes controversial issues. Transatlantic crossings were traditionally multi-class, in later years always "first" and "tourist" with "cabin" often in the middle. Cunard retains a vestige of this, with those in the best cabins dining in the open-seating Princess Grill or Queens Grill and having access to an exclusive lounge and decks.

"There are people who want to pay for a more luxurious and intimate setting," he said. "I have no problem with that."

And how about all the proud Britishness, the naming by Queen Elizabeth II, whose brand-new portrait hangs aboard, considering that Cunard is one of seven lines under the umbrella of an American company, the outgrowth of Carnival Cruises?

"I think the parent company has wisely let each brand keep its independent identity," he said. "That way there's a line for everyone."

On Day 6 of the voyage, about 6:30 in the morning, I get an unrequested wake-up when my water glass slides off the table and into bed with me. While I mop that up, the ice bucket rockets off the coffee table and empties its slush on the carpet. The winter North Atlantic is kicking up its heels, and the Queen Elizabeth is pitching and rolling but holding its own. The seascape is a magnificent muddle of dark gray streaked with white. Pink clouds on the eastern horizon suggest more weather ahead.

The other unmistakable portent is of journey's end. In less than 48 hours we'll have steamed up theHudson River and be fast at the Manhattan Ship Terminal next to the Queen Victoria. QM2 will be docked at the Cunard terminal in Brooklyn's Red Hook section.

More than 1,100 passengers will disembark from Queen Elizabeth, our small group included, and when the ship refills there will be substantially more Americans aboard. (On a typical QM2 crossing the passenger list will typically be 50% British and 40% American. On cruises from the U.S., the balance will shift.)

That evening the three Queens rendezvoused in Upper New York Bay, off the Statue of Liberty. Such a meeting happened only once before, three years ago, and the third Queen then was the QE2. TheEmpire State Building was bathed in Cunard Red for the occasion. Fireworks again illuminated the sky.

Who but Cunard could pull this off? "If three other ships met in New York," Miller told me, "no one would care."

travel@latimes.com
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Queen Elizabeth liner caters to formal cruisers

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Reporting from aboard the Queen Elizabeth — Let the other ships have their rock climbing walls and their water slides, their come as-you-are and do-as-you-please ambience. On the new Queen Elizabeth, it's lawn bowling and croquet, formal nights and afternoon teas, assigned seating and fixed dining hours.

Indeed, Cunard's elegant Queen Elizabeth is the very embodiment of British civility.

The 2,068-passenger Queen Elizabeth, successor to the storied QE2 (now docked in Dubai, where plans to convert it into a floating hotel are on hold), made its debut Oct. 12, christened by Queen Elizabeth II (the flesh-and-blood monarch). It joins the larger Queen Mary 2 (2004) and the slightly smaller Queen Victoria (2007) as the last of Cunard's new queens.

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I was onboard in late November for its Gallic Debut, a five-night round trip from Southampton, England, with calls at Amsterdam, Zeebrugge, Belgium, and Cherbourg, France. Sleet and snow greeted us on the way as the big chill descended over Northern Europe.

Embarkation at Southampton's Ocean Terminal was a tedious 75-minute process and included mandatory shoe removal as we passed through metal detectors. I had not experienced this on any of my 10 or so post- 9/11 cruises.

By the time I got to my stateroom, my luggage was already there. The cabin was light and cheerful with blond wood and burgundy and gold accents. A 242 square feet , it felt spacious, with a king bed, desk-dressing table, mini-fridge and flat-screen TV. But what was with the hair dryer tethered to the dressing table with a cord so short I couldn't look in the mirror while drying? (I'm told the matter has been addressed with the designers.)
PLANNING YOUR TRIP

Fares for Queen Elizabeth cruises range from $1,195 for an inside stateroom on a five-night voyage to $199,995 for the top Queens Grill suite on the 107-night world voyage that will depart Jan. 10, 2012, from Southampton, England. These fares are per person, based on double occupancy, and do not include taxes and fuel supplements.

The ship, which left Jan. 5 from Southampton on its maiden world voyage, will call at San Pedro on Saturday, embarking on a 24-night voyage to Sydney, Australia, with ports of call including Hawaii, and on to Southeast Asia, India, Egypt and southern Europe, returning to Southampton on April 19.

The Queen Elizabeth will sail in Europe, the Mediterranean and the Caribbean during the year and will make a maiden voyage to the Holy Land, from Southampton on Oct. 28, calling at Jerusalem and Galilee/Nazareth as well as Gibraltar, Egypt, Cyprus and Greece.

Info: (800) 728-6273, http://www.cunard.com.


Unlike the Queen Victoria, which was woefully short of drawer space when it first sailed, I found storage aplenty, including night tables with drawers. I counted 43 wooden hangers among the 21/2 closets. Although the bath was small, with a barely adequate prefab shower, it too had good storage.

There was much to like, starting with the Art Deco public rooms. The Victoria incorporated bright red and blue into its décor, but Queen Elizabeth's softer color palette of blue, gold and burgundy flowed more smoothly from space to space. These sister ships are essentially alike, but Queen Elizabeth has 35 more cabins aft and a larger games deck. Some Cunarders had hoped for radical changes, but, said ship's Capt. Christopher Wells, radical change is costly, and "at the end of the day it's all about pounds and pence."

There are no singles cabins. "Cunard doesn't feel obligated" to do that, Capt. Wells said, noting that most luxury hotels don't offer this option. Although he acknowledged the demand — Cunard is popular with single, older women — he said, "You could never build enough. You can never win."

The ship was built in Italy, and Cunard is owned by Miami-based Carnival Corp., but Cunard hasn't forgotten its British roots, to the delight of its many British passengers. (Baked beans at breakfast and all.) Formal nights are a must. We had one on our cruise, and it was lovely to see women in real evening gowns, not cobbled together make-do outfits. As I watched from the mezzanine, women of a certain age were being led around the ballroom floor by Cunard's gentlemen hosts. As elegantly turned out couples danced to "The Anniversary Waltz," a silver-haired man next to me said, "Now that's what I call ballroom dancing. That stuff on TV? That's acrobatics."

Traditional didn't mean stuffy. In the Yacht Club disco one night, couples were dancing under strobe lights to the strains of "Hound Dog." In the Queens Room ballroom, a quartet of Beatles imitators always packed the house. I was horrified to realize that this was a trip down memory lane.

On karaoke night in the Golden Lion Pub, I caught Londoner Vicki Adams-Salmon, a building surveyor whose hobby is costume-making, belting out "Lipstick on Your Collar" à la Connie Francis. Adams-Salmon sported a strapless red gown and a screamingly bright red wig. She smiled and said, "It's pink underneath," as she lifted the wig and showed her hair. She was celebrating her 30th birthday with boyfriend Clive Cheer and thought the ship was "brilliant."

Other things that floated my boat: The casino amidships is not overwhelmingly intrusive. The two-level, wood-paneled library has a spiral staircase and leaded skylight. The multiple bars and lounges and variety of entertainers, including pianists, a harpist and a string quartet, seemed to suit nearly every taste.

A new concept for the 800-seat, tri-level Royal Court Theater is the Queen Elizabeth Theater Company, a resident troupe presenting shows in repertory as varied as Neil Simon and Shakespeare. Ours was "Hotel Royale," a thinly plotted musical set in a faded hostelry.
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